Posts Tagged ‘dark’
Damn! a stock related topic with no beer!!! Whatever next!!!
With brewing, and learning more about brewing coupled with mortgage / house extension plans I’ve had no time what so ever for stock. Not even picked up the camera for something creative since about October last year, shocking I know!
Here, go click the referral link http://yaymicro.com/register.action?referredBy=pdtnc 😉
Stock Photo: Light at the end of the Tunnel, old railway tunnel, natural lighting from tunnel entrance.
Malt Extract Syrup Pale 1510g
Crystal Malt 350g
Fuggle 60 mins 15g (First Wort Hops)
Golding 60 mins 13g (First Wort Hops)
Fuggle 10 mins 9g
Final Volume: 12 Litres
Original Gravity: 1.043
Final Gravity: 1.010
Alcohol Content: 4.3% ABV (I’m making it with 3 extra Litres, it should be 5.7%)
Total Liquor: 16.6 Litres
Bitterness: 33 EBU
Colour: 36 EBC
Its run off the boiler into the FV before cooling in the bath, Yeast is s-04.
After a quick temperature and hydro check I’ve actually come the closest I’ve ever been to getting the correct SG and volume in the FV 🙂
On top of what Beer Engine said my total Liquor would be I added 1.5 Litres for Hop and trub losses, maybe I’ve cracked it!
It seems the real beer doesn’t exist any longer in its bottled form, as from what I can gather they only cask their ales now, no website either but here’s some info www.quaffale.org.uk/php/brewery/491
**Bottled 10/06/2009, tasted quite sweet.
***Tasted after 8 Days in the bottle, its blooming good already 🙂
http://www.sarahhughesbrewery.co.uk – I Just found they do have a website now 🙂
|Light painting technique in complete or almost complete darkness.
Underground, damp and old architecture of forgotten railways.
Old ventilation shaft and rubble in Tunnel
To view the images in a larger size please click on the thumbnails.
After seeing other peoples shots of dark places such as drains and tunnels, I decided to have a go for myself.
So experimenting with long exposures, 30 seconds and longer, and a mid range aperture in a couple of disused railway tunnels.
Setting the Camera
With long exposures you need to keep your camera shake free so the use of a Tripod and cable release is essential, I picked my shot and set my camera in the dark getting focus manually on long shots and shooting off a flash shot to attain focus on closer in shots (Switching to manual focus once happy so as to lock it at that distance).
I was shooting in the camera’s Manual Mode so as to set exposure time to the ‘BULB’ setting, I chose an aperture of F8 so depth of field would be mid range for my lens, I set the camera ISO to 100 so as to keep down the possibility of digital noise showing up (Other ISO setting could be used while practicing and getting the hang of how long the exposure would take).
So I’m focused, my camera is on the tripod cable release attached, my camera setting are locked, it was time to click and lock the shutter release and start using the torch to light the scene.
Lighting with the Torch
Using the torch its a case of literally painting the subject with light where you want the camera to ‘see’ and capture what you want, it takes some experimenting and can be an interesting way to be creative with lighting your photograph. Its important to keep the torch beam moving on your subject so as to avoid ‘hot spots’ where too much light could over-expose, paint evenly and try not to miss the bits that interest you.
I started with 30 second exposures and went up to 2 minutes 30 seconds on some shots where I didn’t want to use to much direct light so I could get a more creative effect, this will all depend on the brightness of your torch or torches.
A handy tip would be to leave a small dim light under your tripod so you don’t go walking into it while making a shot.
Using more than one torch can give you the option of back lighting an object and also painting the foreground with the other torch, coloured gels can be used over the torch beam if you fancy adding a little extra colour to your subject.
Light trails are fun, and can be a happy accident while lighting your subject and add a bit of excitement and movement to the scene, though if you don’t want the trails be careful that the line of sight between your torch beam and your camera is guarded and you wear dark or black clothes so you don’t show up in your own shots.
For most of my experimenting I stayed behind the camera, though I started venturing out further to see what else was possible which is well worth it.
Safety and Darkness
Standing in almost complete darkness with just a flashlight might be an eerie experience for some people so its always best to take a friend and tell someone else where you are going and how long you will be there. For me the excitement of creating some amazing photographs out weighs any fear I might have had, I found the darkness and torch light quite calming with the silence only broke by the dripping from the ceiling of the tunnel and its ventilation shafts. It always good to watch where you are putting your feet while setting up shots as uneven floors and obstacles could trip you up, so be careful, safety first!
The Camera equipment used was as follows; Canon 400D, Sigma 10-20mm lens, Tripod, Remote shutter release cable. The Torches used were; Maglite 3D-cell with Terralux LED upgrade, Fenix TK10, and some other cheaper LED torches, I also took a couple of Glow-sticks.
More of my tunnel photos are at www.flickr.com/photos/pdtnc
If you liked this and found it useful please go vote for it at http://www.jpgmag.com/stories/6108
My first ‘Urban Exploration or Urbex’ photo sale 🙂 I’m glad a couple of stock sites had the the forethought to accept ‘Dark photos’ without branding them as ‘Poor lighting’, so far the excellent Dreamstime and Stockxpert have accepted my dark railway tunnel shots. I’m hoping that istock will accept once they get re-reviewed by scout! *fingers crossed*
© Photographer: Pdtnc | Agency: Dreamstime.com
Shadow figure – The Darkness of a Disused Railway Tunnel in North Yorkshire, shots taken with long exposures and a mixture of available light and torch light, light painted to reveal the textures and brickwork of a forgotten age.
arch, architecture, brickwork, dark, darkness, disused, exploration, figure, inside, light, painting, railway, shadow, stonework, tunnel, urban, urbex, light painting, ravenscar, north yorkshire