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Posts Tagged ‘camera

This might be the next camera 🙂 HD video sounds interesting for the occasional stock footage creation. Shame it doesn’t quite get to XXL size at istock though.

Canon says…

Canon EOS 500D
Digital SLR Camera

EOS 500D

With the EOS 500D, every side of your story comes alive. Capture every detail in stunning 15.1 Megapixel resolution, or switch to shooting pin-sharp Full High Definition video.

Features

  • 15.1 MP CMOS sensor
  • Full HD (1080p) movies
  • High ISO up to 12800 for low-light conditions
  • 3.4fps with up to 170 JPEG burst
  • 3.0” Clear View LCD with Live View mode
  • 9-point AF system
  • DIGIC 4
  • EOS Integrated Cleaning System
  • EF/EF-S and EX Speedlite compatibility

Tell the full story.

15.1 MP CMOS sensor
Ideal for those who want to create large, poster-size prints – or crop images to perfection without losing any of the detail necessary for printing – Canon’s 15.1MP CMOS sensor is outstanding in low light, and produces images with incredibly low noise.

Full HD movie recording
The EOS 500D combines exceptional still shooting with the ability to shoot Full HD (1080p) video. For occasions when larger amounts of footage need to be stored on a memory card, users can also choose to shoot at 720p or VGA resolution. An HDMI connection allows High Definition playback of footage and images on any HDTV.

High ISO for low light
When light levels fall, the EOS 500D offers an ISO range of up to 3200 – expandable to 12800 for those environments where using flash is undesirable.

3.4fps with up to 170 JPEG burst
The EOS 500D features shooting speeds of up to 3.4fps in continuous bursts of up to 170 large JPEG images (9 RAW).

3.0” Clear View LCD with Live View mode
Detailed checks on images and video are possible with a 3.0” ClearView LCD screen, which features an ultra-high 920,000 dots for increased clarity. Switch to Live View mode and use the real-time visual feed to shoot from awkward angles.

9-point AF system
A high-precision AF system employs 9 AF points AF Points are located throughout the frame to better accommodate off-centre subjects. For accurate focusing with fast aperture lenses, the central AF point features a high sensitivity cross-type sensor, suitable for lenses with an aperture of f/2.8 or faster.

DIGIC 4
Canon’s DIGIC 4 processor works with the CMOS sensor to deliver 14-bit image processing, for smooth gradations and natural looking colours. DIGIC 4 also powers advanced Noise Reduction when shooting at higher ISO speeds, plus split-second startup times and near-instant image review after shooting.

EOS Integrated Cleaning System
Canon’s built-in dust prevention system offers three ways of guarding images against the effects of dust: reduction of internal dust generation; an in-camera sensor cleaning mechanism; and the ability to map stubborn dust sports for removal with the included Digital Photo Professional software.

Full EF/EF-S and EX Speedlite compatibility
The EOS 500D is compatible with Canon’s full range of EF and EF-S lenses and EX-series Speedlites. This allows the creation of a shooting system as unique as the photographer using it.

EOS 500D – MAY 09

Product Specification

IMAGE SENSOR

Type

22.3 x 14.9mm CMOS

Effective Pixels

Approx. 15.1M

Total Pixels

Approx. 15.5M

Aspect Ratio

3:2

Low-Pass Filter

Built-in/Fixed with Self Cleaning Sensor Unit

Sensor Cleaning

EOS integrated cleaning system

Colour Filter Type

Primary Colour

IMAGE PROCESSOR

Type

DIGIC 4

LENS

Lens Mount

EF/EF-S

Focal Length

Equivalent to 1.6x the focal length of the lens

FOCUSING

Type

TTL-CT-SIR with a CMOS sensor

AF System/ Points

9 AF points (f/5.6 cross type at centre, extra sensitivity at f/2.8)

AF Working Range

EV -0.5 -18 (at 23°C & ISO100)

AF Modes

AI Focus

One Shot

AI Servo

AF Point Selection

Automatic selection, Manual selection

Selected AF Point Display

Superimposed in viewfinder and indicated on LCD monitor

Predictive AF

Yes, up to 10m Âą

AF Lock

Locked when shutter button is pressed half way in One Shot AF mode.

AF Assist Beam

Intermittent firing of built-in flash or emitted by optional dedicated Speedlite

Manual Focus

Selected on lens, default in Live View Mode

EXPOSURE CONTROL

Metering Modes

TTL full aperture metering with 35-zone SPC

(1) Evaluative metering (linked to all AF points)

(2) Partial metering at center (approx. 9% of viewfinder)

(3) Spot metering (approx. 4% of viewfinder at center)

(4) Center weighted average metering

Metering Range

EV 1-20 (at 23°C with 50mm f/1.4 lens ISO100)

AE Lock

Auto: In 1-shot AF mode with evaluative metering exposure is locked when focus is achieved.

Manual: By AE lock button in creative zone modes.

Exposure Compensation

+/-2 EV in 1/3 or 1/2 stop increments (can be combined with AEB).

AEB

+/- 2 EV, 1/2 or 1/3-stop increments

ISO Sensitivity*

AUTO(100-1600), 100, 200, 400, 800, 1600, 3200 Expandable to 6400 + H (approx 12800) in 1-stop increments

SHUTTER

Type

Electronically-controlled focal-plane shutter

Speed

30-1/4000 sec (1/2 or 1/3 stop increments), Bulb (Total shutter speed range. Available range varies by shooting mode)

WHITE BALANCE

Type

Auto white balance with the imaging sensor

Settings

AWB, Daylight, Shade, Cloudy, Tungsten, White

Fluorescent light, Flash, Custom.

White balance compensation:

1. Blue/Amber +/-9

2. Magenta/ Green +/-9.

Custom White Balance

Yes, 1 setting can be registered

WB Bracketing

+/-3 levels in single level increments

3 bracketed images per shutter release.

Selectable Blue/Amber bias or Magenta/ Green bias.

VIEWFINDER

Type

Pentamirror

Coverage (Vertical/Horizontal)

Approx. 95%

Magnification

Approx. 0.87x Âą

Eyepoint

Approx. 19mm (from eyepiece lens centre)

Dioptre Correction

-3 to +1 (1/m) (dioptre)

Focusing Screen

Fixed

Mirror

Quick-return half mirror (Transmission: reflection ratio of 40:60, no mirror cut-off with EF600mm f/4 or shorter)

Viewfinder Information

AF information: AF points, focus confirmation light

Exposure information: Shutter speed, aperture value, ISO speed (always displayed), AE lock, exposure level/compensation, spot metering circle, exposure warning, AEB

Flash information: Flash ready, high-speed sync, FE lock, flash exposure compensation, red-eye reduction light

Image information: White balance correction, SD card information, monochrome shooting, maximum burst (1 digit display), Highlight tone priority (D+)

Depth of Field Preview

Yes, with Depth of Field preview button.

Eyepiece Shutter

On strap

LCD MONITOR

Type

3.0″ TFT, approx. 920K dots

Coverage

Approx. 100%

Viewing Angle (Horizontally/Vertically)

Approx 170°

Coating

Dual Anti-reflection, anti smudge

Brightness Adjustment

Adjustable to one of seven levels

Display Options

(1) Quick Control Screen

(2) Camera settings

FLASH

Built-in Flash GN (ISO 100, meters)

13

Built-in Flash Coverage

up to 17mm focal length (35mm equivalent: 27mm)

Built-in Flash Recycle Time

Approx. 3 seconds

Modes

Auto, Manual Flash On/Off, Red-Eye Reduction

Red-Eye Reduction

Yes

X-Sync

1/200sec

Flash Exposure Compensation

+/- 2EV in 1/2 or 1/3 increments

Flash Exposure Bracketing

Yes, with compatible External Flash

Flash Exposure Lock

Yes

Second Curtain Synchronisation

Yes

HotShoe/ PC Terminal

Yes/-

External Flash Compatibility

E-TTL II with EX series Speedlites, wireless multi-flash support

External Flash Control

via camera menu screen

SHOOTING

Modes

Auto, Portrait, Landscape, Close-up, Sports, Night Portrait, No Flash, Movie, Program AE , Shutter priority AE, Aperture priority AE, Manual, A-DEP

Picture Styles

Standard, Portrait, Landscape, Neutral, Faithful, Monochrome, User Defined (x3)

Colour Space

sRGB and Adobe RGB

Image Processing

Highlight Tone Priority

Auto Lighting Optimizer (Basic and Creative modes)

Long exposure noise reduction

High ISO speed noise reduction

Peripheral illumination correction

Drive Modes

Single, Continuous, Self timer (2s, 10s+remote, 10s + continuous shots 2-10)

Continuous Shooting

Max. Approx. 3.4fps. (speed maintained for up to 170 images (JPEG)¹, 9 images (RAW)) ²

LIVE VIEW MODE

Type

Electronic viewfinder with image sensor

Coverage

Approx. 100% (horizontally and vertically)

Frame Rate

30 fps

Focusing

Manual Focus (Magnify the image 5x or 10x at any point on screen)

Autofocus: Quick mode, Live mode

Metering

Real-time evaluative metering with image sensor

Active metering time can be changed

Display Options

Grid overlay, Histogram

FILE TYPE

Still Image Type

JPEG: Fine, Normal (Exif 2.21 [Exif Print] compliant) / Design rule for Camera File system (2.0),

RAW: RAW (14bit, Canon original RAW 2nd edition),

Digital Print Order Format [DPOF] Version 1.1 compliant

RAW+JPEG Simultaneous Recording

Yes (RAW + Large JPEG only)

Image Size

JPEG: (L) 4752×3168, (M) 3088×2056, (S) 2256×1504

RAW: (RAW) 4752×3168

Movie Type

MOV (Video: H.264, Sound: Linear PCM)

Movie Size

HD (16:9)1920 x 1080P -20fps, 1280x720P -30fps, SD(4:3) 640 x 480 -30fps

Movie Length

Max duration 29m 59sec, Max file size 4GB

File Numbering

(1) Consecutive numbering

(2) Auto reset

(3) Manual reset

OTHER FEATURES

Custom Functions

13 Custom Functions with 39 settings

Metadata Tag

User copyright information

Intelligent Orientation Sensor

Yes

Playback Zoom

1.5x – 10x

Display Formats

(1) Single image with information (2 levels)

(2) Single image

(3) 4 image index

(4) 9 image index

(5) Jump Display

Slide Show

Autoplay: All images, repeat

Histogram

Brightness: Yes

RGB: Yes

Highlight Alert

Yes (Shooting information display only)

Image Erase/Protection

Erase: Single image, Checkmarked images, Unprotected images

Protection: Erase protection of one image at a time

Data Verification

Original image verification data can be appended to the image (OSK-E3 required for verification)

Menu Categories

(1) Shooting menu (x2)

(2) Playback menu

(3) Setup menu (x3)

(4) My Menu

Menu Languages

25 Languages

English, German, French, Dutch, Danish, Portuguese, Finnish, Italian, Norwegian, Swedish, Spanish, Greek, Russian, Polish, Czech, Hungarian, Romanian, Ukrainian, Turkish, Arabic, Thai, Simplified Chinese, Traditional Chinese, Korean and Japanese

Firmware Update

Update possible by the user.

INTERFACE

Computer

Hi-Speed USB

Other

Video output (PAL/ NTSC) (integrated with USB terminal), HDMI Type C

DIRECT PRINT

Canon Printers

Canon SELPHY Printers, Bubble Jet Printers with the direct print function and PIXMA Printers supporting PictBridge

PictBridge

Yes

STORAGE

Type

SD card, SDHC card

SUPPORTED OPERATING SYSTEM

PC & Macintosh

Windows / XP (SP2/SP3) / Vista (excl. Starter Edition)

OS X v10.4-10.5

SOFTWARE

Browsing & Printing

ZoomBrowser EX / ImageBrowser

Image Processing

Digital Photo Professional

Other

PhotoStitch, EOS Utility (inc. Remote Capture, Original Data Security Tools*), Picture Style Editor

* Requires optional accessory

POWER SOURCE

Batteries

1 x Rechargeable Li-ion Battery LP-E5

Battery Life

Approx. 400 (at 23°C, AE 50%, FE 50%) ¹

Approx. 380 (at 0°C, AE 50%, FE 50%)

Battery Indicator

4 levels

Power Saving

Power turns off after 30sec or 1, 2, 4, 8 or 15mins.

Power Supply & Battery Chargers

AC Adapter Kit ACK-E5, Battery charger LC-E5E, Car Battery charger CBC-E5

PHYSICAL SPECIFICATIONS

Body Materials

Stainless Steel/Plastic

Operating Environment

0 – 40 °C, 85% or less humidity

Dimensions (WxHxD)

128.8 x 97.5 x 61.9 mm

Weight (Body Only)

Approx. 480g

ACCESSORIES

Viewfinder

Eyecup Ef, E-series Dioptric Adjustment Lens with Rubber Frame Ef, Eyepiece Extender EP-EX15II, Angle Finder C

Case

Semi-Hard Case EH19-L

Lenses

All EF and EF-S lenses

Flash

Canon Speedlites (220EX, 270EX, 380EX, 420EX, 430EX, 430EX II, 550EX, 580EX, 580EX II, Macro-Ring-Lite MR-14EX, Macro Twin Lite MT-24EX, Speedlite Transmitter ST-E2)

Battery Grip

BG-E5

Remote Controller/ Switch

Remote Switch RS-60E3, Remote Controller RC-1/RC-5

Other

Original Data Security Kit OSK-E3

Predictive AF

Âą with EF300mm f/2.8L IS USM at 50kph

Magnification

Âą with 50mm lens at infinity, -1 (1/m) dpt

Continuous Shooting

Âą Large/Fine(Quality 8) resolution
² Based on Canon’s testing conditions, JPEG, ISO 100, Standard Picture Style. Varies depending on the subject, memory card brand and capacity, image recording quality, ISO speed, drive mode, Picture Style, Custom functions etc.

Battery Life

Âą Based on the CIPA Standard and using the batteries and memory card format supplied with the camera, except where indicated

All data is based on Canon standard testing methods except where indicated.

Subject to change without notice.

*Recommended Exposure Index

Light Painting in Dark Places

After seeing other peoples shots of dark places such as drains and tunnels, I decided to have a go for myself.

So experimenting with long exposures, 30 seconds and longer, and a mid range aperture in a couple of disused railway tunnels.

Queensbury Rail Tunnel - July 08
All Rights reserved © Copyright of pdtnc

Setting the Camera

With long exposures you need to keep your camera shake free so the use of a Tripod and cable release is essential, I picked my shot and set my camera in the dark getting focus manually on long shots and shooting off a flash shot to attain focus on closer in shots (Switching to manual focus once happy so as to lock it at that distance).

I was shooting in the camera’s Manual Mode so as to set exposure time to the ‘BULB’ setting, I chose an aperture of F8 so depth of field would be mid range for my lens, I set the camera ISO to 100 so as to keep down the possibility of digital noise showing up (Other ISO setting could be used while practicing and getting the hang of how long the exposure would take).

So I’m focused, my camera is on the tripod cable release attached, my camera setting are locked, it was time to click and lock the shutter release and start using the torch to light the scene.

Lighting with the Torch

Using the torch its a case of literally painting the subject with light where you want the camera to ‘see’ and capture what you want, it takes some experimenting and can be an interesting way to be creative with lighting your photograph. Its important to keep the torch beam moving on your subject so as to avoid ‘hot spots’ where too much light could over-expose, paint evenly and try not to miss the bits that interest you.

I started with 30 second exposures and went up to 2 minutes 30 seconds on some shots where I didn’t want to use to much direct light so I could get a more creative effect, this will all depend on the brightness of your torch or torches.

A handy tip would be to leave a small dim light under your tripod so you don’t go walking into it while making a shot.

Using more than one torch can give you the option of back lighting an object and also painting the foreground with the other torch, coloured gels can be used over the torch beam if you fancy adding a little extra colour to your subject.

Light trails are fun, and can be a happy accident while lighting your subject and add a bit of excitement and movement to the scene, though if you don’t want the trails be careful that the line of sight between your torch beam and your camera is guarded and you wear dark or black clothes so you don’t show up in your own shots.

For most of my experimenting I stayed behind the camera, though I started venturing out further to see what else was possible which is well worth it.

Safety and Darkness

Standing in almost complete darkness with just a flashlight might be an eerie experience for some people so its always best to take a friend and tell someone else where you are going and how long you will be there. For me the excitement of creating some amazing photographs out weighs any fear I might have had, I found the darkness and torch light quite calming with the silence only broke by the dripping from the ceiling of the tunnel and its ventilation shafts. It always good to watch where you are putting your feet while setting up shots as uneven floors and obstacles could trip you up, so be careful, safety first!

Ravenscar Tunnel 12.06.08
All Rights reserved © Copyright of pdtnc

Equipment

The Camera equipment used was as follows; Canon 400D, Sigma 10-20mm lens, Tripod, Remote shutter release cable. The Torches used were; Maglite 3D-cell with Terralux LED upgrade, Fenix TK10, and some other cheaper LED torches, I also took a couple of Glow-sticks.

Links

More of my tunnel photos are at www.flickr.com/photos/pdtnc

If you liked this and found it useful please go vote for it at http://www.jpgmag.com/stories/6108

All Rights reserved © Copyright of pdtnc

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